Table Of Content
- ‘L.A. Confidential’: The ultimate filming locations map
- A colleague called her TV show ‘a dumb idea.’ It’s already been picked up for Season 2
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- ‘The fairy dust fades away’: Why the people who play Disneyland’s costumed characters are unionizing
- How the Cat King in ‘Dead Boy Detectives’ captures a familiar queer dynamic
- Latest Television
- California Bank building

“The Owl House” helped its audience feel seen and told them that “nobody should be punished for who they are.” It’s time the rest of the world listens. Created by Dana Terrace, “The Owl House,” which is now available in its entirety on Disney+, follows Luz, a human teenager who stumbles into an alternate dimension known as the demon realm. A spunky, spirited fantasy lover with a penchant for getting carried away, Luz doesn’t quite fit in in the human world, so she decides to begin training as a witch rather than go back home. One might understandably assume that this recently-shuttered (soon-to-be-restored) West Hollywood establishment—where Ed mistakes the real Lana Turner for a call-girl lookalike— wouldn't have required a substantial period upgrade.
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‘L.A. Confidential’: The ultimate filming locations map
Despite accounting for more than 18% of the U.S. population, Latinos receive only 5.2% of the top film roles and 6.2% of scripted television roles, according to a 2019 UCLA study. Another recent study, from the USC Annenberg Inclusion Initiative, concluded that on the occasions Latinos are included in films, their portrayals are often stereotypical. Although there are an increasing number of cartoons with Latinx protagonists — including Cartoon Network’s “Victor and Valentino,” Nickelodeon’s “The Casagrandes” and Disney’s own “Elena of Avalor” — “The Owl House’s” Latina representation is still notable. The two characters Terrace had a grasp on earliest were the sharp and sassy Eda the Owl Lady (voiced by Wendie Malick) and the cute little demon King (Alex Hirsch). It’s almost as if conservative politicians and activists believe they can legislate us out of existence. In the process , the rollback has emboldened people to be more vocal in their homophobic and transphobic rhetoric.
A colleague called her TV show ‘a dumb idea.’ It’s already been picked up for Season 2
Like “The Owl House,” most of the other standout LGBTQ-centric animated shows have concluded or have been canceled. Not to mention the intensifying movement to ban books, including those that even hint at LGBTQ subject matter. For Oppewall, who spoke to Curbed LA on the eve of the 1997 neo-noir’s 20th anniversary, the illusory romance of the City of Angels was stripped away in an instant. That's what the movie does too, puncturing our inflated ideas of Old Hollywood glamour by plumbing the psychological depths of its key characters and (sometimes literally) exposing the rot underneath.
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The building of course worked well for the period on its own, but some digital trickery was required for the surrounding area. Vincennes' go-to meeting place is this iconic dive on Hollywood Boulevard, long rumored as one of Charles Bukowski's favorite imbibing spots. Due to its classic interior, only a minimal amount of updating was required, though Oppewall says the Pantages Theater next door required a bit more work to make it period-accurate. Though “a lot” of work had to be done on the interior to make it period-specific, one architectural feature in particular made it perfect for the film.
From early in the first episode, it’s apparent that Luz’s imagination and interests set her apart from her classmates. And neither her mother nor her teachers understand how to handle her creativity and dramatic flair. This former colleague thought “it was a dumb idea.” Disney has already renewed the show for a second season. “I was working with someone at the time who kept discouraging me from working on the story and writing in general,” said Terrace, who with “Owl House” joins a short list of women who have solo-created a Disney animated series. Get Screen Gab for everything about the TV shows and streaming movies everyone’s talking about.

And they should be able to see themselves as the heroes in these stories without having to compromise who they are. It’s a fun, funny and heartfelt series that celebrates individuality, family, kindness and creativity set in a creepy, vibrant world. But its legacy as such an unabashedly queer show is one of the primary reasons the show concluding after an especially short third season stings. The history of this Golden Era nightclub and restaurant stretches all the way back to 1927, and at the time of shooting very little had changed since its heyday as Hollywood hotspot.
This declaration became increasingly resonant over the course of “The Owl House’s” three-season run, which concluded Saturday, as the show repeatedly broke new ground for LGBTQ representation in kid-friendly animation. “The Owl House” debuted in 2020, at a time when LGBTQ visibility on TV was on an upswing. Television alone cannot make the world a better place, especially for the young people directly affected by the right-wing crusade against the queer and trans community. But these young audiences are the ones that most need to see that their stories matter.
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“It happened to have, in the inside alley of the building right behind that restaurant, a bathroom that we could use for the murder scene,” says Oppewall. Exley didn't have to travel far from the precinct to reach the scene of this multiple homicide—the diner (a.k.a. JJ Sandwich Shop) is located right across the street from the film’s police station set at the Pacific Electric Building. For one thing, the owners forbid the production from nailing anything to the facade, forcing Oppewall to get creative.
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As Oppewall recounts, its period art deco interior required very little in the way of production design for a scene in which Captain Dudley Smith (James Cromwell) gives Bud his badge and gun back. The scene of Jack Vincennes’ (Kevin Spacey) pot-bust photo op was one of the most difficult locations to find. Tasked with tracking down an old-school movie theater and an apartment on the same block, Oppewall was at a loss until she spotted the John Parkinson-designed California Bank building at 5620 Hollywood Boulevard.
All comics and other materials on the site contain erotic content and are intended only for persons over 18 years of age (or older, if the laws in your country provide for this). All comics and other materials do not belong to us, each of them has its own author and owner, who owns all rights to them. The site administration, authors and content owners are not responsible for any abuse that violates international law. Her character only started coming together through conversations Terrace had with her roommate at the time about what they were like in high school — how they would try to cut their own hair, or made fashion choices based on “Final Fantasy” games.
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